“The most powerful weapon is the music.”

L.A. TIMES

“… James Hannigan’s music makes The Sandman totally immersive.”

THE SUNDAY TIMES

“the best music in the series..”

MOVIE MUSIC UK – HARRY POTTER AND THE ORDER OF THE PHOENIX (VG)

“…a wonderful cinematic score”

AUDIOFILE MAGAZINE

“[Evil Genius] expertly captures the ‘60s spy-movie aesthetic”

GAME INFORMER

” a superb score by composer James Hannigan — nothing more, nothing less.”

MULTIVERSITY COMICS

“horns and violins rise to cacophony, guaranteed to get the heart pumping.”

TIME

“A score which combines musicality with wit … complementing the sound perfectly.”

BAFTA

“10/10. The music in Republic is amazing… possibly the most appropriate music ever….”

GAME FAQS

“James Hannigan has not missed a beat.”

GAMING TREND

“formidable music, sometimes terrifying, sometimes tender…”

THE TIMES

“…some of the most viscerally satisfying bombast ever produced”

GGM

“The soundtrack is particularly fantastic”

IGN

“…a cohesive musical story from start to finish.”

FORBES

“The music truly excels”

RAPID REVIEWS

“The music is amazing. James Hannigan returns, expands the original … Brilliant Music.”

GAMEWATCHER

James Hannigan is a BAFTA Award-winning composer known for large-scale, narrative-driven scores across games, film, audio drama and other media. His AAA game credits include entries in the Harry Potter, Dead Space, RuneScape, Warhammer, Evil Genius, FIFA, F1, Transformers, Theme Park, The Lord of the Rings, Cloudy with a Chance of Meatballs, Art Academy and Command & Conquer series. | LISTEN

An International Film Music Critics Association (IFMCA) and Webby People's Voice Award winner, with five additional BAFTA nominations, his work in audio drama includes The Sandman Acts I–III (with an ensemble cast including James McAvoy and Michael Sheen; Amazon/Audible's best-selling Original in the company's history), Kingdom Come (DC) and the Audie Award-winning Alien series - along with themes for Discworld and the Harry Potter audiobooks read by Stephen Fry. | NEWS

Hannigan’s music - including the parodic Red Alert 3 Theme: Soviet March, RuneScape Theme, and other tracks - has been streamed hundreds of millions of times and performed in concerts worldwide. He has recorded with ensembles including the Philharmonia Orchestra, the Royal Philharmonic Orchestra and the Skywalker Symphony Orchestra, at studios such as Abbey Road, AIR and Skywalker Sound. His scores have featured performances from  Regé-Jean Page (for The Sandman: The Song of Orpheus), Zsolt-Tihamér Visontay, Tony Hinnigan (TitanicBraveheart), Miranda Keys, Pete Lockett, Miriam Stockley (Adiemus), and others.

(Montage conducted by Allan Wilson / James Hannigan / Johannes Vogel)

His television work includes music for Primeval (BBC America), while music from his back catalogue has been featured across a wide range of shows, including Top Gear, The Grand Tour, Emily in Paris, Saturday Night Live and many more.

Beginning his career at Electronic Arts in the 1990s, scoring games such as the award-winning Theme Park World and several EA Sports titles, he quickly established a reputation for his emotionally motivated music and early innovation in interactive music - going on to score projects including FreelancerPrivateer 2: The Darkening (featuring Christopher Walken, Clive Owen and John Hurt), CatwomanWarhammer: Shadow of the Horned RatSpace Hulk and Grand Prix 4 - as well as the BAFTA-nominated Evil Genius and Republic: The Revolution - designed by Demis Hassabis (later of DeepMind). A small number of his tracks can also be heard in the Terraria and Super Smash Bros. franchises.

CLICK TO READ MORE

A conference founder and a writer of words as well as music, he has appeared on the cover of DEVELOP magazine, written for Classic FM and Pixel Addict, and contributed to academic works such as Tim Summers’ Understanding Video Game Music (Cambridge University Press, 2016). He is co-founder of Screen Art Connect events, formerly held at London’s Southbank Centre in partnership with PlayStation, BAFTA, the Ivors Academy, PRS for Music, Classic FM, Music Week and Electronic Arts, and writes on topics ranging from vintage arcade machines to the implications of AI music.

A fellow of the Royal Society of Arts and a longstanding BAFTA member, Hannigan has been featured in BAFTA’s Conversations with Composers series held at the Royal Albert Hall, interviewed by BBC Radio, Classic FM, Sky TV, IGN, Forbes and MusicRadar, and has spoken at institutions and events including the Royal College of Music, the School of Sound, EIGF, Musicworks, Ludomusicology and the DEVELOP Conference. He is represented in the UK by COOL Music.

YouTube | YouTube Music | Spotify

James Hannigan doesn't use social media